George orwell shooting an elephant rhetorical analysis essay


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Goerge Orwell’s Shooting An Elephant ( Part – II )

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Analysis Of George Orwell 's ' Orwell ' Shooting An Elephant '

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Shooting an Elephant

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“Shooting an Elephant” Rhetorical Analysis Essay Draft

On our site, homework help implies more than simply writing a paper from scratch. The narrator then sees a village woman chasing away children who are looking at the corpse of an Indian whom the elephant has trampled and killed. He sends an order to bring an elephant rifle and, followed by a group of roughly a few thousand people, heads toward the paddy field where the elephant has rested in its tracks. Although he does not want to kill the elephant now that it seems peaceful, the narrator feels pressured by the demand of the crowd for the act to be carried out.

After inquiring as to the elephant's behavior and delaying for some time, he shoots the elephant several times, wounding it but unable to kill it. The narrator then leaves the beast, unable to be in its presence as it continues to suffer. He later learns that it was stripped, nearly to the bone, within hours. His elderly colleagues agree that killing the elephant was the best thing to do, but the younger ones believe that it was worth more than the Indian it killed.

The narrator then wonders if they will ever understand that he did it "solely to avoid looking a fool. An anti-imperialist writer, Orwell promotes the idea that, through imperialism, both conqueror and conquered are destroyed. I was all for the Burmese and all against their oppressors, the British. As ruler, he notes that it is his duty to appear resolute, with his word being final. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys.

He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the "natives," and so in every crisis he has got to do what the "natives" expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things.

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To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man's life in the East, was one long struggle not to be laughed at. Although it is not the narrator's wish to shoot the elephant, his will is not his own and, due to their expectation, he realises that he must shoot the elephant; "I was only an absurd puppet pushed to and fro by the will of those yellow faces behind.

The narrator's situation throughout the essay is one of little prospect or prominence.